IFR blog > Preguntas de alumnos
IFR Playalong: Blues progression

Grab your instrument and practice improvising over this blues progression with me!

Alison

The Elvis Costello song "Alison" contains just one chord from outside the key of the music. This is the beautiful b7 major chord that we study in IFR Jam Tracks Level 4: Mixed Harmony Essentials.

Am I too advanced for these workshops?

"I don't know if my musical experience is already beyond the level that your ear training video courses are designed for. Can you tell me the topics covered in each of your courses so I can decide if they would help me?"

Finding the key of the music by ear

In this video demonstration with tenor sax and piano, we demonstrate how IFR students are able to instantly find the key of the music by ear.

Becoming a music philosopher

In this personal video, I explain why I believe that you should pursue your OWN musical ideas and fascinations just as seriously as you study anything you learn from your music teachers.

Harmonic and melodic minor scales in IFR

A student asks whether harmonic minor and melodic minor scales are included in IFR. The answer is an enthusiastic YES and in this video I show you how.

Introduction to chord melody on guitar

In this lesson I demonstrate what chord melody technique is and how it will enrich both your soloing and your accompanying. I also teach you the first step to building a complete chord melody technique on the guitar.

Piano for Non-Pianists 7

In this lesson you'll take your first step to incorporating your left hand as a rhythmic self-accompaniment on the piano. You'll start with a basic pulse in the left hand and learn to express right hand phrases and melodies relative to this pulse.

Take Five

To most people, Paul Desmond's classic jazz standard in 5/4 represents the height of intellectual sophistication. But aside from the turnaround that appears at the very end of the song, the entire chord progression comes directly from the major scale.

How do more advanced jazz improvisers use the chord changes in their solos?

I really like your approach to improvisation. I’m curious, how do more advanced jazz improvisers use the chord changes in their solos?