I'm currently practicing the IFR exercise Seven Worlds and I'm not sure how much time I should spend in each harmonic environment before advancing to the next. Is there any guideline?
In this video we are going to train our ear together, singing the tonal numbers over the famous 2-5-1 chord progression. This is the most important chord progression in jazz music and it also appears in pop, rock, blues and other styles. Sing along and explore these beautiful sounds creatively with me!
In this video we will demystify 9th chords, 11th chords and 13th chords and you'll see how simple these chords really are. I'll also try to show you that you are actually already producing these sounds in your music all the time, even if you don't realize it.
I am wondering if there is a "method" for using the major scale in a melodic way rather than playing the scale notes randomly?
Should I study the most important harmonic environments first? Or is it better to study all seven harmonic environments in order?
In Exercise 1 you describe "...looking down on this musical terrain from above..." Does this mean visualizing fingerings on your horn, notes on a staff, letters on a page or something else?
For IFR students practicing Exercise 1: Landscape, this is a demonstration of the Exercise 1 Daily Meditation. Miguel 'Pintxo' Villar demonstrates the exercise on the tenor saxophone using the interval of a half step.
Grab your instrument and practice improvising over chords 1 and 4 with me!
In this video we are going to train our ear together with the famous chord progression 6-, 4, 1, 5D. First, we'll sing the roots to make sure we can feel the chord changes. Then we'll practice the ear training exercise Melody Paths, singing melodies connecting chord notes across the chord progression.
An IFR student asks how much he needs to practice to be successful with the IFR method.