IFR blog > Practice tips
Melody Paths with chords 6-, 4, 1, 5D

In this video we are going to train our ear together with the famous chord progression 6-, 4, 1, 5D. First, we'll sing the roots to make sure we can feel the chord changes. Then we'll practice the ear training exercise Melody Paths, singing melodies connecting chord notes across the chord progression.

IFR video lesson: How to study chords

In this video I show you a complete system for studying new chords so that you can improvise over them with confidence, use them in your compositions and learn to recognize them by ear in the music of other people.

Q&A - How music should I practice?

An IFR student asks how much he needs to practice to be successful with the IFR method.

Harmonic and melodic minor scales in IFR

A student asks whether harmonic minor and melodic minor scales are included in IFR. The answer is an enthusiastic YES and in this video I show you how.

Jeremy Chapman on musical creativity

This great Ted Talk by Jeremy Chapman offers many surprising insights about musical creativity. His talk includes improvisation with the audience and guest musicians, and he even mentions Improvise for Real about halfway through the talk.

How to build a strong sense of tonal orientation

"When I'm practicing Seven Worlds, sometimes I lose my orientation and I can't feel the tonal center anymore. So for example note 2 doesn't feel like home anymore. Instead my ear keeps wanting to resolve to note 1. Do you have any tips for this?"

Becoming a music philosopher

In this personal video, I explain why I believe that you should pursue your OWN musical ideas and fascinations just as seriously as you study anything you learn from your music teachers.

Outside playing with Seven Worlds

In this video I show you how you can use the exact same sounds that you're studying in Seven Worlds in a different way to create some of the exotic sounds of “outside playing”.

Thinking melodically vs. harmonically

When you're studying the notes of a chord, should you be thinking relative to the key (e.g. "note 1 in the 6 chord")? Or should you be thinking relative to the chord (e.g. "the flatted 3rd of the 6 chord")?

There is always time to practice!

Even with just a few minutes per day you can still have a deep and meaningful connection with music. Your pleasure and satisfaction aren't necessarily about “how long you practice” but about how completely you allow yourself to get lost in the experience.