Are the seven harmonic environments that we're studying in IFR Exercise 2 the same thing as the “modes”?
When you're studying the notes of a chord, should you be thinking relative to the key (e.g. "note 1 in the 6 chord")? Or should you be thinking relative to the chord (e.g. "the flatted 3rd of the 6 chord")?
In this video I show you how you can use the exact same sounds that you're studying in Seven Worlds in a different way to create some of the exotic sounds of “outside playing”.